Enjoy! 1. Billie Jean 2. Man in the mirror 3. Smooth criminal 4. Black or white 5. Thriller

Its winter break and I'm bored.....I'm sorry if i suck.....XP ~SUBSCRIBE!~RATE!~COMMENT!~THANK YOU!~ www.youtube.com The hip house, electro pop song "Green Light" by American recording artist, musician and actor song John Legend is featured as the second track on his album Evolver. The song features André 3000 of OutKast. Evolver (2008) Released: October 28, 2008 Recorded: 2008 Genre: R&B Length: 50:42 Label: GOOD Music/Columbia Producer: Kanye West, John Legend, Malay, KP, Dave Tozer, Midi Mafia, Dapo Torimiro, will.i.am, Trevor Horn, Devo Springsteen, The Neptunes, Supa Dups, Teddy Riley Track Listing: 1. "Good Morning Intro" 2. "Green Light" (featuring André 3000) 3. "It's Over" (featuring Kanye West) 4. "Everybody Knows" 5. "Quickly" (featuring Brandy) 6. "Cross The Line" 7. "No Other Love" (featuring Estelle) 8. "This Time" 9. "Satisfaction" 10. "Take Me Away" 11. "Good Morning" 12. "I Love, You Love" 13. "If You're Out There"

The Human Sax has crashed out of Britain's Got Talent and we miss him already - so here's our top ten of the web's most talent weird mouth people. Follow us on twitter at twitter.com

Paul Williamson explains the uses of bebop scales in jazz improvisation. In this video, Paul's first post for Digital Pill, he describes the construction of bebop scales, jazz articulation, the use of a metronome and how bebop scales place the chord tones firmly ON the beat to create an "inside" sound in improvisation. The video together with the pdf download available from digitalpill.tv explain the uses of bebop scales over major, dominant and minor scales.

Mouthpiece exercises for saxophone and clarinet are one of the best methods to continually improve the sound. Furthermore, one can train the embouchure, the breathing and the articulation optimally. Daily exercises -- 5 minutes are enough -- are the key to a higher level of sound and intonation on the instrument. Through mouthpiece exercises you train exactly those muscles that are crucial to the playing of a saxophone or a clarinet: for the sound, for the intonation, for special effects as vibrato or bending, for high tones (high notes, top tones, altissimo, flageolettes). For beginners and for advanced players. For classic music, blues, soul, funk rock or folk.

How can we understand this? Sound production, sound, sonority, and above all personal expressiveness, are controlled individually out of the throat and the oral cavity. Therefore the lips, the tongue, the palatine, the larynx, the vocal cords and breathing play a vital role (voicing). The interaction of all these aspects is complex and it is quite unexplainable how you can produce certain tones and whole melodies like this. You do not deliberately notice the processes but you can feel them. It is crucial, therefore, that you can hear the results and remember the corresponding "settings"!

These findings prompted Joe Allard, the grand master of the woodwinds, to develop a new method of training and suitable exercises, among which are the mouthpiece exercises. With these exercises Joe Allard documented astonishing results while having comparatively little expenditure of time. Among his students were saxophonists as David Liebman, Michael Brecker, Stan Getz, Bob Berg and Glenn Miller whole sax section.

This is a trailer from JAZZLAB instructional video "SOUND TRAINING FOR SAXOPHONE & CLARINET - Mouthpiece Exercises with the Silencer". The whole educational video on English or German with many additional informations you will find on www.jazzlab.com

Série harmoniques au sax ou clarinet
silencer mute muffler throat 4 octaves overtones embouchure blowing vibrato voicing lesson register music technic shooshie bec MPC Villmergen Switzerland

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